HACK THE BARBICAN 10 hour dis track w/ Marvin BL8s — preview

Wow! I've uploaded 4 of the videos captured during the 10 hour long dis track  livestream screencast performance by myself TEX EXTRA X RAD REX ROYALE and my number one mango MARVIN BL8 BAT — the performance was included by Life Agency for HACK THE BARBICAN 2013 {{an event which I personally rocked so damn hard}}  at the Barbican Centre, London. 


 > > Zing Zing — 2 big 4 my blog

 I already heavily engaged in #htb2013 thru my work with the cult

.@Qt3X genius #htb2013 pic.twitter.com/jipmCCrvtg
— Melissa Bliss (@bliss_LDN) August 30, 2013

WHICH, MIGHT I ADD, everybody   loved  — HOWEVER the soundtech there consistently switched off our mic's while i was doing SICK RAPS in the rituals so I was really pissed off

2the wack soundtech @HackTheBarbican —wtf do u off r mic's? wtf put u in charge of a projector? stretch armstrong doll headed zombi #htb2013
— texy (@Qt3X) August 16, 2013

and then the organizers were like

@Qt3X surely that is not very polite my dear. perhaps cool down a bit and talk to someone in person. Sorry to hear you are disappointed x
— Hack The Barbican (@HackTheBarbican) August 16, 2013

SO I RETORTED

@HackTheBarbican not polite~ honest
— texy (@Qt3X) August 16, 2013

and went in

serious— we had problems w/ him last time &2nite he went +11— is he paid well 2 fuck up like that?
— texy (@Qt3X) August 16, 2013

not OK: have ur work shot2shit by incompetent tech then b demeaned & condescended
— texy (@Qt3X) August 17, 2013

…for choosing to criticise said sloppy tech on an open channel of expression, discussion, feedback & microprose
— texy (@Qt3X) August 17, 2013

@HackTheBarbican it is x2more important 4me2b genuine than it is 2conform2enforced projections of genteel constructs
— texy (@Qt3X) August 17, 2013

@HackTheBarbican we will talk in person, this is beyond disappoint
— texy (@Qt3X) August 17, 2013

and we did! we had a really nice conversation :) i was even like

@HacktheBarbican on a lighter note this may b relevant 2 ur interests http://t.co/iGrYCnG3n8 Omni Reboot | #htb2013 #OFTHERENAISSANCE
— texy (@Qt3X) August 17, 2013

but i was still pissed off and the soundtech NEVER got it's act together that's when I was invited by Life Agency to present some work in their project… and this happened THAT'S WHAT HAPPENED PEOPLE THAT IS IT THAT'S WHY I DISSED THE BARBICAN AND LIFE AGENCY WITH A 10 HOUR LONG FILIBUSTER ALL THE WAY FROM COVENTRY CITY —3 minutes of the performance were supposed to be projected directly into the building but when it came time to do that we stopped the live content and played them an advert we'd uploaded to youtube a day or two before. Here's a few screengrabs from the above content

artist statement circa 2554 BE / 1102 RE

INTRO

Utilising a combined knowledge and understanding of spirituality, science and the symbolic, to be applied to the time based mediums of film and animation, combined with a heliocentric approach to “Subconscious + Unconscious = Sunconscious”^∗ in an attempt to achieve the esoteric alchemical goals^∗∗ of psychic transformation, through manipulation of “the Material”, in relation to the reflection of micro to macro^∗∗∗, existing across overlapping time scales in a multitude of frozen frames — the “Inbetweens”, where “Static Motion” stretches and distorts creating improbable states of movement as a fluid entity in light, plasmatic archetypes, becoming a constant, transcending the Zeitgeist under the philosophy of QUANTUM HYLOZOISM.

Written in a style akin to that of rhythmic spells the sentences take on the form of long fat snakes that slither in circles to a magical rhythm. At the most fundamental level, it expresses an esoteric eloquence designed to enchant and intrigue the reader. Presented in the text are concepts derived from archaic times, innocently conceived to aid in the task of achieving a goal that spans across time in every direction.

alt. title Living in the Future and Projecting Yourself in to the Past

birth canals

bat canals

puke canals

croc canals